Archive by Author

Roe at 40: New Infographics Illustrate Key Facts About Abortion in the United States

8 Jan


Some cool info-graphics!

High Fiving as the Week Closes

11 Nov

As the week comes to a close, I sit thinking about the steady progress we have made in this last election and in short I have to say to all the women who ran for political office, you rock or in Mean Girls terms:

“You go Glen Coco!”

One Billion Rising…

11 Nov


Have you heard of One Billion Rising? Well, if you haven’t you may be shocked to hear about the striking statistics that show that one in three women will be raped or beaten in her lifetime. The One Billion Rising, takes a stand at the one billion women being violated and takes a stance on change by having one billion women dancing, starting a revolution, that is so revolutionary that you can help but join in. This year at Ball State, women everywhere are going to be joining in on this revolutionary experience. Have you heard of the Vagina Monologues? The One Billion Rising is the closing monologue for the Vagina Monologues this year, as the Vagina Monologues celebrate its 15th anniversary. You may think Vagina Monologues, why is this important to me? Check out this video by One Billion Rising and you will see why. I hope to see you all at auditions after Thanksgiving break. No theatre experience necessary. Just a will to dance and start a revolution.

Introducing Melissa Thodos

11 Nov

Artistic Director and Founder of Thodos Dance Chicago.


“I am a choreographer teacher and director. I am a first generation Greek American and grew up eating the best Greek cuisine in Chicago…. the movie “My Big Fat Greek Wedding” was just like my wedding video. I am passionate about dance and have loved dance all my life.”

About Thodos Dance Chicago

“Breathtakingly athletic,” “powerfully beautiful,” performing “vibrant choreography”are what some critics have said about Thodos Dance Chicago. Thodos Dance Chicago’s mission is to, ” inspire expression through dance, education, dance creation, and dance performance.” The ensemble is made up of artists who choreograph and teach a wide variety of dance forms with innovative choices. This type of innovative dance has lead Thodos Dance Chicago to be a strong presence in American Contemporary Dance. Melissa Thodos is the founder and  Artistic Director for Thodos Dance Chicago. Melissa founded the Dance company after being both a successful performer and choreographer with The Chicago Repertory Dance Ensemble, on the local, national, and international contemporary dance circuits. Melissa has won many awards and grants for her work; State of Illinois as a Greek American, Ruth page Award nominations, a Chicago Dance Achievement Award nomination, and Illinois Arts Council Fellowships. She currently serves on the Illinois Arts Council Dance Advisory Panel. One of her most comprised works, “Reaching There”, won an international acclaimed award in Paris in 1988 at the Internationale Dance de Paris. Melissa Thodos was featured as one of Chicago’s 100 Women Making a Difference and voted as one of the “top ten hidden talents” by the Chicago Tribune. Melissa also was one of the final selected participants for the national “Women of Worth” award in New York City. There is no doubt that Melissa Thodos is one of the leading women in the dance circuit of today.

Samantha Ellison: What first got you into dance and was there a moment when you knew that you wanted to be involved with dance for the rest of your life?

Melissa Thodos: I was a really big tomboy growing up and hung out with my older brother a lot. Being raised in a traditional Greek family…my mother took note of this and thought it a good idea to switch out my sport shorts and jerseys for pink tights and a bow, and put me in ballet class at the age of six. I did not like the pink tights, but fell in love with dance and ended up training extensively at The Evanston School of Ballet.

I also studied dance in my after school public high school dance club. It was there that I was given the opportunities to begin to choreograph dance. The program was run by a professional dancer and she ran the club like a professional dance company and I loved discovering the creativity of dance making. I then attended Skidmore College in Saratoga Springs New York and landed my first professional dance contract in Chicago in 1984. I founded Thodos Dance Chicago in 1992 and the Company is turning 21 this year, something that we are all very excited about.

SE: Who were some of your role models growing up?

MT: My dance teachers were my role models. They were professional dancers and it was so special to get to know them as people and see them every day for class, and then watch them weave magic as they breathtakingly performed on stage.

SE:How did Thodos Dance Chicago start and why did you want to start your own dance company?

MT: I founded Thodos Dance Chicago in 1992 and I founded the company because I wanted a platform for my work/choreography. In the early years the Company performed only my work and later when we acquired more financial resources I was able to grow the company in ways that I was hoping to by inviting guest choreographers, developing a platform for my dancers to have their work professionally produced in Chicago , our “New Dances” choreography performance series now in it’s 12th year, and was also able to start a school in which our professional dancers are the teachers.

SE: What was the first piece you ever choreographed and directed?

MT: My first professional piece was presented in Chicago in 1986 and was a solo that I created for myself along with a prop. The prop is a big 5 foot wheel that was designed and constructed by my father who was an engineer. I also worked with a composer and had an original electronic /synthesized score created for the work.

SE: Who are some of the best choreographers you have worked with over the years?

MT: As a dancer: Lar Lubovich, Paul Taylor, Z’eva Cohen, That have guested with my Company: Tony-Award winning Ann Reinking ( we will be performing a special piece by the iconic Bob Fosse and Ann Reinking helped to stage the piece) Shapiro & Smith, Gustavo Ramirez Sansano, Amy Ernst among many other American choreographers.

SE: Looking back on your career so far, what is one of your favorite memories or moments?

MT: I have too many to name. Every year, experience that I have and piece that I create is different and new, as if a new page is turned and more of the story is written and comes to life.

SE: What is “The White City”, about? What do you hope audience members take away from this piece?

MT: Our one act contemporary story ballet “The White City: Chicago’s Columbian Exposition of 1893” is a dance that tells an amazing true story, one that has the brilliance and dark tragedy. “The White City” is true story that changed the history and face of Chicago forever. Chicago was the city selected to host the world’s fair in 1893, immediately following the World’s Fair in Paris where the Eiffel Tower was built. Chicago was under an immense amount pressure to surpass what Paris did it is at the Chicago world’s fair that the Ferris wheel was first invented and unveiled. Over half of the country attended Chicago’s fair and the most amazing inventions were revealed from electricity to the zipper to hot air balloons. The fair was a time of utter brilliance coupled by a time of tragedy as it also carried with it a dark side that had murder in many forms, mystery and intrigue. Our story ballet has a music score by Bruce Wolosoff, film projections by award winning film maker Chris Olsen, where he uses are the original images of the fair ( The Chicago History museum gave us the use of all of their original images for this ballet) costumes of the Victorian era, and lots of great dance that tells a great story. There is also a half hour documentary featured on WTTW/PBS about the making of our dance “the White City titled” Beneath The White City Lights” this will be airing in your community soon and has been nominated for an Emmy Award in cultural documentary division.

SE: How can people join the Thodos Dance Chicago and what does that process look like? How can people find out more information about Thodos Dance Chicago?

MT: Thodos Dance Chicago hosts annual auditions in March and in May. Our audition process is extensive and involves analysis of the technical abilities of the dancer, in addition to teaching the repertory to the attendees and we end with the dancer performing a self choreographed solo to get a sense of the dancer’s choreograph aesthetic. Following that we interview the dancer to learn more about their goals and to see how their goals fit with our mission.

Another great way for a dancer to get to know more about Thodos Dance Chicago is to participate in one of our two annual summer intensive workshops.

Finally, people can learn a lot about Thodos Dance Chicago by visiting us on our website at and also by following us on facebook.

A Letter of Inspiration

11 Nov

I stumbled upon a letter written by W.E. B Du Bois to his daughter Yolande. This letter expresses some of the trials that Yolande may face in her years studying at Bedales school in England. These trials, I felt were still applicable today, thus I hope you enjoy and inquire such knowledge in your journey in becoming a “wonderful woman.”

“Gonna Be An Engineer”

4 Nov

Just When You Thought BIC Pens Were Enough…

4 Nov


The Honda Fit She’s made for women. It comes in pink and designers say it is “adult cute.” Women if you can make the short trip to Japan this car could be yours!

Brooklyn Young Woman Chess Master

4 Nov

Rochelle Ballantyne, is 17, and is on track to become the first female chess master. Ballantyne is featured in the documentary “Brooklyn Castle”, which follows students from Intermediate School 318. Her motivation stems from her grandmother, who taught her how to play when she was in third grade. In April of this past school year IS 318 became the first middle school team to win the United States Chess Federation’s national high school championship. The 2012 World Youth Chess Championships to be held in Maribor, Slovenia from November 7-19

Interview with activist Erin Davies

4 Nov
 FagBug exclusive: Erin Davies

Students at Ball State University got to see a rainbow-colored Volkswagen Beetle called the Fagbug September 28. The vehicle may seem to be controversial to some but, for Erin Davies, it is a way to cultivate awareness. The vehicle was displayed on the east side of the L.A. Pittenger Student Center lawn. It is the topic of the documentary “Fagbug,” which was shown that evening in the Fine Arts Building on Ball State’s Campus. Erin Davies, the creator of the documentary, was to speak about her experiences and her travels after the documentary was shown to students. In April of 2007, Davies’ car was vandalized with the words “fag” and “u r gay”, spray painted on the side and front of her vehicle.  Instead of removing the vandalism, she traveled around the country to encourage dialogue about hate crimes and raise awareness about homophobia. Davies documented her journey in her film “Fagbug,” which has gone onto win more than 25 awards.

Event was sponsored by the Ball State Multicultural Center and Spectrum.

Samantha Ellison: On April 18th 2007, your car was vandalized? What was written on your car? And how did you first feel about this hate crime?

Erin Davies: Someone spray painted “fag” and “u r gay” on the driver’s side and hood of my car. At first I felt shocked. Then I felt ashamed. Then I thought to myself, “u r gay? No shit! Thank you for stating the obvious.”

SE: What were some people’s first reactions to your car? How did other students at your university respond?
ED: The first day I drove the car with the graffiti, I drove to my graduate school, Sage College, in Troy, NY. In one hour, there were fifty phone calls of complaints and I was asked to remove my car from campus. Rather than move it, I took the stance that homophobia isn’t just my problem. It’s everyone’s.
SE: How did you use what had happen to your car to create awareness for LGBTQ hate crimes?
ED: I used what happened to turn it into a statement. By not removing the graffiti, I externalized it and had a shared healing experience. People think this type of thing doesn’t happen because they never see it in a visual form. Everyone that saw my car with the graffiti in a year, could no longer say they didn’t think it was happening because they never saw it.
SE: How did you decide to come up with the idea to travel around the country? Where did you all travel to? What were some of your most memorable moments along the way?
ED: A friend of mine dared me to drive the car for a year and take it around the country. I traveled to 41 states in 58 days. My most memorable moment was getting an email from VW of America informing me that they heard about what I was doing and wanted to sponsor my road trip. Also, I had a male named Brandon Monson drive the ca rin Indiana for 3 days to document the differences with him behind the wheel versus me.
SE: The movie Fagbug came out in 2009, documenting your journey across the country? Why did you feel it was so important to document your journey and be able to share this will others?
ED: I felt it was important to document my journey so other people who go through similar things don’t feel alone when it happens. I wanted to give an example of how to be empowered by these types of events.
SE: How have you used your merchandise to educate people on the harmful impacts of homophobia in our culture?
ED: I have a fagbug sticker, t-shirts, toy bug, poster, and DVD. All the merchandise serves as a conversation starter. Two of my t-shirts are the exact graffiti that was written on the car. Since the car got redone after a year, the shirts serve as a conversation piece in the same way the graffiti on the car did. The merchandise keeps allowing the story to be retold.
SE: Now that you have traveled the country on a mission to raise awareness about hate crimes and homophobia, what are your next plans?
ED: My plan is to continue to do so until I no longer hear about stories similar to mine on a daily basis. Eventually I’d like to retire the original fagbug into a museum and complete a follow up documentary. This spring I am flying the car to Hawaii and taking the car to Alaska to reach my 50th state which is a huge milestone.

Watch Fagbug Documentary

“You Don’t Own Me”

23 Oct

I know it is not a Music Monday, but I thought you all would enjoy this!